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Tzvi
Avni is one of the
foremost composers of Israel today. He was born
in Saarbrücken, Germany, in 1927, and came to
Israel as a child. |
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Initially self-taught he
continued his studies with Paul Ben-Haim and Abel
Ehrlich. In 1958 he graduated from the Israel
Music Academy in Tel Aviv under Mordecai Seter
and later furthered his studies in the U.S.A. at
the Columbia-Princeton Electronic Music Center
with Vladimir Ussachevsky and in Tanglewood with
Aaron Copland and Lukas Foss. Since 1971 he has
been teaching at the Jerusalem Rubin Academy of
Music and Dance where he holds the position of
Professor of theory and composition and served as
head of the Electronic Music Studio. |
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His works include several
orchestral pieces, chamber music for various
combinations, vocal and choral music, several
electronic works, as well as music for ballet,
theater, art films, radio plays, etc. They have
been performed world-wide by numerous soloists
and ensembles and by all Israeli orchestras
including the Israel Philharmonic Orchestra, The
Jerusalem Symphony Orchestra, The Israel Chamber
Orchestra, as well as the Berlin Radio Orchestra,
the Stuttgart Radio Orchestra, Saarland Radio
Orchestra, Bochum Symphony, Colorado Springs
Symphony and others. Many of his works have been
printed and issued on commercial records and are
frequently performed in Israel and around the
world. In recent years he has been attending
performances of his works and lecturing in
academic and public circles in Europe, in America
and in the Far East. |
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In
his early works Avni followed the line of the so-called
Mediterranean Style which was still prevalent in
Israel in the 1950's. His encounter in the early
1960's with some of the newer trends in musical
thinking, including the electronic medium, were a
turning point in his style, which now became more
abstract and focused on sonorism and post-Webern
developments though preserving some of his
essential former characteristics. Avni's interest
in Jewish mysticism since the mid 1970's left a
further mark on his musical language in which
some neo-tonal elements manifest themselves in a
new synthesis.
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Mr.
Avni is a recipient of several awards, including
the Israel Prize (2001), the Culture Prize of the
Saarland (1998), The Israel Prime Minister's
Prize for his life achievements (1998), the ACUM
Prize for his life achievements (1986), the
Lieberson Prize, the Engel Prize, the Küstermeier
Prize and others.
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Constantly active in
Israel's public musical life, Tzvi Avni served in
the past as Chairman of the Israel Composers'
League and chaired the World Music Days which
took place in Israel in 1980. For several years
he was Chairman of the Music Committee of the
National Council for Culture and Art, served
twice as Chairman of the Jury of the Arthur
Rubinstein International Piano Master Competition
(in 1989 and in 1992) and is currently Chairman
of the Directory Board of the Israel Jeunesses
Musicales. He has been constantly publishing
articles on musical topics for professional
musicians as well as for the general public. |
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